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(as of Apr 22, 2025 16:09:02 UTC – Details)
Malcolm Gladwell, the host of podcast revisionist history and the author of the best vendor outlars of New York Times, resume audiofook in this immersive production of talking to strangers, which is a powerful test of our conversations with people that we do not know.
How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlane wonder that he could trust Adolf Hitler? Why are campuses increasing sexual attacks? Do television sitcoms teach us something in the way we related to each other which is not true?
While dealing with these questions, Malcolm Gladwell was not writing a book for the page only. He was also producing for ear. In the audibook version of talking to strangers, you will hear the voices of those they interviewed – scientist, criminal, military psychological. The court tape is brought into life with re -enforcement. You actually hear the controversial arrest of Sandra Bland on the roadside in Texas. As Gladwell rejected the deception of Berney Madoff, Amanda NOM’s test and Sylvia Plath’s suicide, you listen directly to many players in these real -life tragedies. Even a theme song is – Genel Mona’s “Hell You Telabout”.
Some are very wrong, Gladewell argues, with equipment and strategies we use to create an understanding of those we do not know. And because we do not know how to talk to strangers, we are inviting struggle and misunderstanding in ways that have a profound impact on our life and our world.
The audibook version of strangers to talk was a quick number-one best seller, and one of the most pre-ordered audibooks in history. It originally marries audibook and podcast, which makes a completely new and real listening experience.
Customers say
Customers find the book an interesting read with insightful writing and an honest look at its subject matter. Moreover, the style is engaging, and customers describe it as deeply engaging and incredibly enlightening. However, the story quality receives mixed reactions, with some appreciating the detailed storytelling while others find it repetitive. Additionally, the pacing receives negative feedback, with one customer describing it as neither interesting nor actionable. The emotional content also divides opinions, with one customer finding it emotionally compelling while another describes it as depressing.
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